ART
A Tint Of Recovery
Indian art market is looking up finally, albeit only in dabs
FEROZ AHMED
14 Aug 2009
 |
REDUCED PRICE: Subodh Gupta’s work is
being sold at a much lower price than it was
in boom time |
Colour is returning to the rs 1,500-crore art business in India. A year after art galleries and auctions were deserted by investors, the art mart is showing signs of life again. The four auctions of Indian art in June generated sales worth Rs 60 crore with almost 70 per cent of the works finding buyers. The exhibition space at the India Art Summit being staged in Delhi in late August is sold out and 54 galleries, including 17 foreign ones, would be there with works of about 500 artists.
“We’ve turned the corner,” says Dinesh Vazirani, director, Saffron Art, a Mumbai-based online auction house and a key market maker for Indian art. He sees the art market tailing the global economy’s stabilisation just as it crashed following the global financial bust in late 2008.
Menaka Kumari-Shah, India representative of Christie’s, world’s largest auction house, points out that this June at the auction of modern and contemporary Indian art in London, most of the works sold went at more than their estimated prices. For example, Ram Kumar’s Untitled (Benares) sold at more than twice the expected price — for £133,250 (Rs 1.05 crore) compared to the pre-sale estimate of £40,000 – 60,000. “We are thrilled with these results reflecting renewed vigour in the field,” she says.
Still, there is a long way to go for the art market to regain the buzz of its boom years of 2006-2008 when Indian art bagged both international glory and big bucks. During that period, Indian art became a category on its own at Sotheby’s and Christie’s auctions in Asia, Europe and the US. Many art funds emerged in India. Works of old and young Indian artists got sold for over a million dollar each. But those times seem like a distant dream at the moment.
Valuation of Indian art, particularly the contemporary art, has fallen by up to 50-70 per cent. The works of the high fliers of the boom period — Subodh Gupta, Atul Dodiya, Jitish Kallat, Anju Dodiya, Baiju Pradhan and Ravindra Reddy — are now going at deep discounts.
The high valuation from the boom days is making the recovery harder for galleries and investors. Renu Modi, who owns Gallery Espace in Delhi, says that a lot of galleries, including hers, are holding high-cost inventory of art works. While some are waiting for a recovery in valuations to liquidate their inventory even at cost or marginal loss, some galleries cannot afford to liquidate their inventories at a loss as they have used their artworks as collateral to borrow money from banks for expansion. “Since the saleable artists overproduced during the boom, there is too much stock of their work in the market right now, which is a deterrant to a speedy recovery in their valuation,” says Modi.
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